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Harpur Palate: a Literary Journal

Harpur Palate: a Literary Journal

Volume 20, Number 2 (2021)

Fiction

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Hope for the Future
Leah Browning

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Crack
Nieves Pascual Soler

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Love Story, 2062
Glenn Taylor

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Anchored
Lucy Zhang

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From Scratch
Christi R. Suzanne

Poetry

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Potter's Field
James Kelly Quigley

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Spilling Empty Cup
Michael Eichelberger

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Ode For You Walking By
Brian Simoneau

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Hybridization
Angie Macri

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Letter [Class] 01/30/13
Jonathan Mundell

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The Big Hurt
John Cullen

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Aubade with Strap-On
Claire Robbins

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Person You Many Know
Karen Z. Duffy

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Interstate Rest Stop
Dan Pinkerton

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Deadsong
Anthony Immergluck

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Tainan Nocturne
Emily Liu

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Extinction Method
Samuel Piccone

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Empathic Poem
Paul Bisagni

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Incidental Take
Derek Otsuji

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"[sic] deer"
Dean Gessie

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Slaughterhouse Moms
Francine Montemurro

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Litany Domestica
Samuel Piccone

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Gently Used Kids
Jane Zwart

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Blood Line
Donna Vorreyer

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Professor Plum
Sugar Le Fae

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Hope
Darlene Young

Creative Nonfiction

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Daughtering
Stephanie Savell

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In the Know
S. Salazar

Full Issue

Editors

Editor in Chief
Sarah Sassone
Managing Editor
Hannah Carr-Murphy
Fiction Co-Editors
Nic Kanaar
Jamey McDermott
Nonfiction Co-Editors
Jessica Femiani
Amy Parker
Poetry Co-Editors
Cole Depuy
Macaulay Glynn
Interns
Emanuel Campo
Laura DeLuca
Cover Artwork
Jason R. Montgomery
Founding Editor
Toiya Kristen Finley

Cover Art

Cover Art: “Maps” by Jason R. Montgomery

Jason R. Montgomery, or JRM, is a Chicano/Indigenous Californian writer, painter, and playwright from El Centro, California. In 2016, along with Poet Alexandra Woolner, and illustrator Jen Wagner, JRM founded Attack Bear Press in Easthampton, MA. In 2019, JRM’s art was featured at CreativeArts Workshop in New Haven, CT, and his solo show Aqui Y Alla at the MapSpace Gallery in Easthampton. JRM completed graduate studies at the University of California, Santa Barbara’s Department of Theatre and Dance with an emphasis in Playwriting and Chicano Studies in 2006. JRM’s work for the Coalescence show at Readywipe Gallery is an exploration of the cultural synthesis intrinsic to decolonization. Using found collage and construction materials, he merges Kumeyaay, Chumash, and Chicano designs and aesthetics to explore the history of US colonization, while synthesising a decolonized motif that honors the complicated heritage of the postcolonial subject.

His work can be found at: www.attackbearpress.com

Copyright Statement

Harpur Palate (ISSN NO. 1532-9046) Is published semi-annually by graduate studetns at the Department of English at Binghamton University. For more information about subscribing or submitting, visit our website: harpurpalate.binghamton.edu. Copyright 2022, Department of English, Binghamton University.