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Harpur Palate: a Literary Journal

Harpur Palate: a Literary Journal

Volume 23, Number 1 (2024)

Fiction

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Dispatches
Sylvia Fox

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The Night She Returns
Areej Quraishi

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Family Tree
O. Edwin Ozama

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Hurricane Season
Andrea Rinard

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Mr. Buttercakes
Avery Holmes

Poetry

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Northern Tongue
Erin Bennett

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MANTLEPIECE
Rhienna Guedry

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Aubade with 1992 Corolla
Caylie Herrmann

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Polycephaly
Caylie Hermmann

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Medusa Finds Me, Climbs Inside
Christen Noel Kauffman

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Retreat
Mercedes Lawry

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Later That Evening
Joseph Radke

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What Turns Me On
Lauren Yarnall

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And After Epiphany
John Schneider

Creative Nonfiction

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AUTOHARP
Suzanne Manizza Roszak

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Memeless
Hibah Shabkhez

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On Attention
Sandra Simonds

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Native Instruments
Pritha RaySircar

Art and Photography

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Who Will Save Us
Juanjuan Henderson

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Chairs
Mocong Yuan

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Chase
Juanjuan Henderson

Full Issue

Editors

Editor in Chief
Alycia Calvert
Managing Editor
Shannon Hearn
Fiction Co-Editor
Sam Corradetti
Fiction Co-Editor
Jesse Gilleland
Poetry Co-Editor
Jordan Franklin
Poetry Co-Editor
Ella Flores
Creative Nonfiction Editor
Suzanne Richardson

Cover Image

“Presidents Room” by Wong WanYee, Ann Wong (b.1996) obtained a BA in Visual Arts from Hong Kong Baptist University in 2020, and she currently lives and works in Hong Kong and Sweden. Wong uses different media to record and reflect on trifles in life. In her works, she explores the possibilities among media by duplicating, extracting, covering or simplifying individual elements and then combining them in a specific way.

From the artist: Living in the same city, we brush past familiar strangers every day, without conversation, without eye contact. Yet, we share the same space, aware of each other’s existence, day after day, continuing each other’s urban life experiences.

When an individual or a group tries to disrupt the systematically managed space by not adhering to its norms, appearing or using the space in an “inappropriate” way, it may create a gap in our monotonous lives, prompting us to rethink the relationship between urban space, strangers in the city, and the mutual influence. Through the medium of painting, I depicted the tug-of-war between the repetitive personal actions in daily life and the urban space.

Editor's Note

… and this issue would not exist without the continued guidance and support from our former EIC, Dr. Hannah Carr-Murphy. We miss you desperately, and cherish your creative legacy with every word!