Document Type
Article
Publication Date
12-21-2021
Keywords
The Handmaid’s Tale, adaptation, TV series, moral complexity, politics, feminism, Margaret Atwood, Volker Schlöndorff, Bruce Miller
Abstract
This article analyzes the changes in The Handmaid’s Tale’s moral and political outlook as it tracks different forms of complexity in the novel, the film, and the TV series. While the sense of female empowerment increases with each adaptation of this tale of forced sexual servitude in fictional theocratic state of Gilead, the essay argues that Hulu’s TV series (created by Bruce Miller, 2017–) develops an intriguing interaction between the interiority of Margaret Atwood’s 1985 novel and the exteriority emphasized in Volker Schlöndorff’s 1990 film. In so doing, the TV series Escher-twists across related binaries between activity/passivity and personal/political actions as well. By expanding, displacing, and creatively intersecting storylines which the novel cut short, the series weaves an intricate perspectival web that invites the viewer to participate in its mind games.
Publisher Attribution
© 2022 Jeroen Gerrits, published by De Gruyter in Open Philosophy Volume 5 Issue 1.This work is licensed under the Creative Commons Attribution 4.0 International License.
Recommended Citation
Gerrits, Jeroen, "“From Episodic Novel to Serial TV: The Handmaid’s Tale, Adaptation and Politics.”" (2021). Comparative Literature Faculty and Student Scholarship. 61.
https://orb.binghamton.edu/comparative_literature_fac/61
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Comments
https://doi.org/10.1515/opphil-2020-0180