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Faculty Sponsor

Sidney Dement

Abstract

The Dymshits-Kuznetsov affair provides an important case study of the use of satire in Soviet media, primarily through easily understood cartoons like the ones seen in Krokodil. These satirical cartoons exploit Jews for alleged scapegoatism, anti-Sovietism, and other characteristics relating to internal problems. In this paper, the author explores the idea that when disinformation disguises itself as satire, it subverts the revolutionary and critical components that are traditionally attributed to the genre of satire.

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