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Submissions from 2022

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bowlsofafternoonlight, Christopher Southward

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bowlsofafternoonlight ii, Christopher Southward

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bowlsofafternoonlight iii, Christopher Southward

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bowlsofafternoonlight iv, Christopher Southward

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:::bowls:of:black:love:i:::, Christopher Southward

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:desert:sage+sand:, Christopher Southward

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Katayama Hiroko—Fifty-dollar Coffee (June 1953), Christopher Southward

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Katayama Hiroko—Jesus and Simon Peter (June 1953), Christopher Southward

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:::keepcalmandhavearelaxingcupofcafebonbon:::, Christopher Southward

Submissions from 2021

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Ceramic Studio Practice: | COCA | Center of Contemporary Artists | Craft Lab | Grottaglie, Italy, Christopher Southward

Submissions from 2020

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Kitaōji Rosanjin—Character (1953), Christopher Southward

Submissions from 2019

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Course Syllabus (SP19) COLI 214B--Literature & Society: "A.I. and Other Radical Humanisms in Cyberpunk and Science Fiction", Christopher Southward

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Course Syllabus (W19 Online) COLI 331T--Television Culture: "Lens, Mirror, Screen: Orwell's NINETEEN EIGHTY-FOUR", Christopher Southward

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Kitaōji Rosanjin--A Few Words for Aspiring Potters, or Concerning the Relation of the Person to the Work of Art, Christopher Southward

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Kitaōji Rosanjin—Why I Became a Potter (1933), Christopher Southward

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Nishida Kitarō—Self-determination of the Eternal Now (June 1931), Christopher Southward

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Nishida Kitarō—Self-determination of the Expressive Self (May 1930), Christopher Southward

Submissions from 2018

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“The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth and Twentieth-century German Cultural Memory.”, Giovanna Montenegro

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"Absolute-contradictory Self-identity"--Nishida Kitarō, Translated by Christopher Southward, Christopher Southward

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Course Syllabus (FA18) COLI 110--World Literature I: "Worlds of Absurdity and Nothingness", Christopher Southward

Submissions from 2017

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“Conquistadors and Indians ‘Fail’ at Gift Exchange: An Analysis of Nikolaus Federmann’s Indianische Historia (Haguenau, 1557).” MLN, 132 (2017): 272-290., Giovanna Montenegro

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“Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-Garde.”, Giovanna Montenegro

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Course Syllabus (SU17) COLI 331: “‘World-traveling’: Alterity and Liminality in Spike Lee’s DO THE RIGHT THING and Amiri Baraka’s DUTCHMAN”, Christopher Southward

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Course Syllabus (W17 Online) COLI 211M: "Superhero Film and Contemporary Culture", Christopher Southward

Submissions from 2016

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Course Syllabus (W16 Online) COLI 331: "Pulp Fiction and Quentin Tarantino", Christopher Southward

Submissions from 2015

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Course Syllabus (FA15) COLI 211 Literature & Psychology: "Material Aesthetics", Christopher Southward

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Course Syllabus (SP15) COLI 214 Literature & Society: "Societies of Discipline and Control", Christopher Southward

Submissions from 2014

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Course Syllabus (SP14) COLI 211 Literature & Psychology: "The Sublime, the Uncanny, and the Imagination", Christopher Southward

Submissions from 2013

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Course Syllabus (FA13) COLI 211 Literature & Psychology: "Power, the Subject, and Technological Rationality", Christopher Southward

Submissions from 2012

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Futurism in Venezuela: Arturo Uslar Pietri and the Reviews Indice and válvula, Giovanna Montenegro

Submissions from 2011

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Songs and intellectuals: the musical projects of Alain Locke, Alejo Carpentier, and Mário de Andrade, Luiza Moreira

Submissions from 2010

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Venezuelan Avant-Garde: María Calcaño's Erotic Poetry, Giovanna Montenegro

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Contextos e pistas: um editorial de Pensamento da América, Luiza Moreira

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Frente Conjetural: escritores brasileños de izquierda y el Estado Novo, Luiza Moreira

Submissions from 1998

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A lua e o domador: símbolos literários e divisões sociais na poesia nacionalista de Cassiano Ricardo e Leopoldo Marechal, Luiza Franco Moreira