Submissions from 2022
bowlsofafternoonlight, Christopher Southward
bowlsofafternoonlight ii, Christopher Southward
bowlsofafternoonlight iii, Christopher Southward
bowlsofafternoonlight iv, Christopher Southward
:::bowls:of:black:love:i:::, Christopher Southward
:desert:sage+sand:, Christopher Southward
Katayama Hiroko—Fifty-dollar Coffee (June 1953), Christopher Southward
Katayama Hiroko—Jesus and Simon Peter (June 1953), Christopher Southward
:::keepcalmandhavearelaxingcupofcafebonbon:::, Christopher Southward
Submissions from 2021
Ceramic Studio Practice: | COCA | Center of Contemporary Artists | Craft Lab | Grottaglie, Italy, Christopher Southward
Submissions from 2020
Kitaōji Rosanjin—Character (1953), Christopher Southward
Submissions from 2019
Course Syllabus (SP19) COLI 214B--Literature & Society: "A.I. and Other Radical Humanisms in Cyberpunk and Science Fiction", Christopher Southward
Course Syllabus (W19 Online) COLI 331T--Television Culture: "Lens, Mirror, Screen: Orwell's NINETEEN EIGHTY-FOUR", Christopher Southward
Kitaōji Rosanjin--A Few Words for Aspiring Potters, or Concerning the Relation of the Person to the Work of Art, Christopher Southward
Kitaōji Rosanjin—Why I Became a Potter (1933), Christopher Southward
Nishida Kitarō—Self-determination of the Eternal Now (June 1931), Christopher Southward
Nishida Kitarō—Self-determination of the Expressive Self (May 1930), Christopher Southward
Submissions from 2018
“The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth and Twentieth-century German Cultural Memory.”, Giovanna Montenegro
"Absolute-contradictory Self-identity"--Nishida Kitarō, Translated by Christopher Southward, Christopher Southward
Course Syllabus (FA18) COLI 110--World Literature I: "Worlds of Absurdity and Nothingness", Christopher Southward
Submissions from 2017
“Conquistadors and Indians ‘Fail’ at Gift Exchange: An Analysis of Nikolaus Federmann’s Indianische Historia (Haguenau, 1557).” MLN, 132 (2017): 272-290., Giovanna Montenegro
“Indigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-Garde.”, Giovanna Montenegro
Course Syllabus (SU17) COLI 331: “‘World-traveling’: Alterity and Liminality in Spike Lee’s DO THE RIGHT THING and Amiri Baraka’s DUTCHMAN”, Christopher Southward
Course Syllabus (W17 Online) COLI 211M: "Superhero Film and Contemporary Culture", Christopher Southward
Submissions from 2016
Course Syllabus (W16 Online) COLI 331: "Pulp Fiction and Quentin Tarantino", Christopher Southward
Submissions from 2015
Course Syllabus (FA15) COLI 211 Literature & Psychology: "Material Aesthetics", Christopher Southward
Course Syllabus (SP15) COLI 214 Literature & Society: "Societies of Discipline and Control", Christopher Southward
Submissions from 2014
Course Syllabus (SP14) COLI 211 Literature & Psychology: "The Sublime, the Uncanny, and the Imagination", Christopher Southward
Submissions from 2013
Course Syllabus (FA13) COLI 211 Literature & Psychology: "Power, the Subject, and Technological Rationality", Christopher Southward
Submissions from 2012
Futurism in Venezuela: Arturo Uslar Pietri and the Reviews Indice and válvula, Giovanna Montenegro
Submissions from 2011
Songs and intellectuals: the musical projects of Alain Locke, Alejo Carpentier, and Mário de Andrade, Luiza Moreira
Submissions from 2010
Venezuelan Avant-Garde: María Calcaño's Erotic Poetry, Giovanna Montenegro
Contextos e pistas: um editorial de Pensamento da América, Luiza Moreira
Frente Conjetural: escritores brasileños de izquierda y el Estado Novo, Luiza Moreira
Submissions from 1998
A lua e o domador: símbolos literários e divisões sociais na poesia nacionalista de Cassiano Ricardo e Leopoldo Marechal, Luiza Franco Moreira